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February
1, 2010
I got a chance to see the incomparable Leon Fleisher live in concert at Strathmore Music Center
(www.strathmore.org) yesterday afternoon playing Prokofiev's Concerto for Piano (Left Hand) and Orchestra No. 4 with the National
Philharmonic (www.nationalphilharmonic.org) and what an amazing performance it was. The 81 year-old Kennedy Center Honoree (2007) is still going strong.
From my eighth-row aisle seat, I had a great view of the stage, and watched Mr. Fleisher's wondrous dexterity unfold over
the course of the 4-movement work. It is quite a sight to see the unfettered left hand bounding across the keyboard,
while the normally active right one takes a break - or goes into action periodically to change a page. Musically, one is struck
with the vibrancy and youthfulness of the pianist's sound. Starting with a dissonant Vivace opening, in which modernism
is on full display, the remaining 3 movements sounded like multiple flashbacks, with themes and ideas from Prokofiev's
(and other composers') earlier work given a reprise. Mr. Fleisher and the Philharmonic, conducted by Piotr Gajewski
(pronounced guy-YEFF-ski), were in sync throughout. After 3 curtain calls, Mr. Fleisher graciously consented to play
an encore - a rarity in the middle of a concert - a Bach cantata "Sheep May Safely Graze," a heavenly send-off he
performed with two hands. Maestro Gajewski and the NP began the concert with Mussorgsky's Night on Bald Mountain.
The piece is characterized by abundant use of ostinato - screeching sound of stringed instruments - which Bernard Herrmann
was fond of using in Hitchcock movies (see: Psycho). They played Tchaikovsky's
Symphony No. 6 (Pathétique) after intermission. Both pieces feature extensive string passages which
the well-equipped orchestra, under the Maestro's spirited direction, played with fervor and emotion, particularly in the
dirge-like finale, which ends on a fermata or full rest, concluding this most pleasant of Sundays. If you haven't
yet seen the NP in action, you're in for a treat.
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