It was a night of tribute to
fully committed performing artists past and present at Strathmore Music Center (1/28) as Jack Everly and the BSO connected
with star vocalist Linda Eder before a full and enthusiastic concert hall, in Bethesda, MD.
In the first half,
Mr. Everly and the BSO celebrated the life of Bob Fosse with overtures to four productions. Beginning with Sweet
Charity and moving to How to Succeed in Business without Really Trying and Damn Yankees, the set concluded
with Little Me. This brisk session proceeded almost like a tutorial, with the witty and engaging conductor
offering an overview of musical theater history for each piece, which the orchestra demonstrated. Arranged as medleys,
the works with their disparate tempos (to match Mr. Fosse's inventive choreography) were at times a challenge to digest,
especially in the beginning, when the orchestra did not initially catch up to Mr. Everly's crisp direction. The
woodwinds and horns settled in, however, with the jazzy and free-form Damn Yankees and a nice trumpet solo.
How to Succeed effectively captured the discordance and sly humor of the business setting - an ur-Office mood of
sorts, which Little Me complemented, featuring a waltzy and wryly mimetic orchestral commentary of this classic parody.
Next up was a tribute to MGM: That's Entertainment Third Edition, a sampler of Judy Garland tunes which set the table
for the main course, leading up to the intermission.
Ms. Eder (pronounced ED-er) arrived in a striking, black crepe
long dress. Looking completely at home before an adoring audience, she launched into a sultry rendition of "Almost
Like Being in Love," following which she delivered a crowd- pleasing medley of "The Boy Next Door" and "You
Made Me Love You." Her vocalizations had a stunning clarity, particularly at low dynamic ranges, though the amplification
tended to cloud the higher intensities (the same could be said about the orchestra). Although she used a mike, the device
served more as a prop; her Maseroti-like voice jumped out at you with ease, purring at low levels while tearing out at full
throttle.
Ms. Eder's cover of Ms. Garland's songs was subtle at times, almost understated. Unlike
her predecessor, Ms. Eder's voice has fewer vibratos - at least in these renditions - is a natural mezzo-soprano's,
and is purer - her instrument is well cared for. Whether in the upbeat "Zing/Trolley Song" or "You Go
to My Head," a showstopper for one and all, her considerable vocal gifts were on display. The spine-tingling rendition
of "Somewhere Over the Rainbow," with the opening, spectacular lighting, full orchestral accompaniment, and back-up
trio, was something to behold. (Vocalist, conductor, and musicians performed harmoniously, throughout.) She is indeed
an original, staking out her own territory. In tribute to her spiritual mentor, she closed out with her take on "By
Myself," to the delight of her legion of old fans, and many new ones.
The personable Ms. Eder did not confine
herself solely to Judy Garland songs this evening. She threw in a tribute to Judy with "Rainbow's End,"
and taking a track from her own Broadway Songbook, the musical Jekyll and Hyde (from the role of Lucy), she belted
out an equally triumphant and touching "Someone Like You." In the spirit of hope for better days to come,
the singer offered up for an encore "Vienna." Everyone left on a high note with this treat, fully satisfied.
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Sound
check: Moderate to high sound levels. The amplification (was it really required?) needs better matching at higher intensities.
The performance throughout was played at pop concert levels.
Program notes: Average; brief standard bio materials.
The program was announced from the podium.
Applause meter: Recommended, 3+ hands. A set with Linda Eder is not
to be missed. An incomparable voice and performer; check out www.bsomusic.org
Runtime: 1 hour and 45 minutes with a 20 minute intermission
Photo credits: Ms. Eder: Courtesy
of the artist; Mr. Everly: Peter Throm
© John F. Glass January 29, 2010 All rights reserved